Printmaking 

 

The majority of my print works are copper plate etchings (in particular, intaglio or dry point), but I have experimented with other types of printmaking. I love working minimalistically when it comes to color, usually sticking to monotones with a touch of one bright hue, in order to focus more directly on form and content. As in my drawings, line and mass is a favorite subject, whether in the abstract or recognizable form. A favorite process is to add objects to the prints themselves by either printing onto the item or attatching it to the paper directly. This cross between two and three dimensions is my way of clashing two worlds together and building a relationship between them even though they are inaccessable to one another. 

Linear in Orange
Linear in Orange

Monoprint and ghost print in orange using string 2009

"Cloven" 1 of 4
"Cloven" 1 of 4

Part of the "Cloven" series Intaglio with chin colle using red paper 2009

This Is How We Met
This Is How We Met

Intaglio etching on teabags mounted to lace with thread 2010

Cocoon
Cocoon

Intaglio, dry point, relief, and kitakata chin colle 2009

Untitled (Self Portrait)
Untitled (Self Portrait)

A reflection of my face etched onto a small copper plate Intaglio with encyclopedia paper chin colle 2008

Soil
Soil

sosaku hanga print with intaglio and chin colle 2010

Untitled (X-Ray)
Untitled (X-Ray)

Small monoprint with yarn 2008

Untitled (Self Portrait)
Untitled (Self Portrait)

A Reflection of my face etched into a small copper plate Intaglio with crimson relief 2008

Untitled
Untitled

Monoprint on newsprint using yarn 2008

Jump
Jump

Intaglio with kitakata chin colle 2010

Untitled (Blue Lines)
Untitled (Blue Lines)

Monoprint and ghost print with yarn on paper 2008

Untitled (Umber Lines)
Untitled (Umber Lines)

Monoprint and ghost print in burnt umber using yarn 2008

Untitled (Layers with words)
Untitled (Layers with words)

Intaglio and drypoint with encyclopedia paper chin colle 2008

Rain On Glass
Rain On Glass

Monoprint and ghost pring in ultramarine blue using yarn on paper 2008

Untitled (Lines In Yellow)
Untitled (Lines In Yellow)

Intaglio and dry point with yellow relief 2009

Cloven (Close Up)
Cloven (Close Up)

Part of the "Cloven" series Intaglio with chin colle using red paper 2009

Disconnect II (AP)
Disconnect II (AP)

Artist proof Intaglio and aquatint on paper 2009

Disconnect
Disconnect

Intaglio and aquatint on paper with kitakata chin colle and mounted found objects 2009

Cloven
Cloven

Part of the "Cloven" series Intaglio and chin colle with kitakata and red paper 2008

This Is How We Met
This Is How We Met

Intaglio etching on tea bags mounted to lace 2010

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